Monthly Archives: October 2017

Dr Seuss Museum Removes Racist Caricatures From Exhibit in Controversial Decision

Beloved children’s author Dr. Seuss occasionally featured racist caricatures in his illustrations. Some of these illustrations were featured in an exhibition, which was subsequently boycotted by local authors. The exhibit was then canceled by the Seuss Museum. The mayor of Springfield, Massachusetts, reacted by blaming “political correctness at its worst,” belittling the issue altogether (“We as a city, state, nation and world have more important ‘life and death’ issues to deal with and resolve”) and asking, as has become cliché, “where do we draw the line?”

The mayor’s reaction and the museum’s cancellation of the event highlight the two typical responses to racial controversy in museums: 1) a demand to present the past exactly as it existed without comment, and 2) an evasion of divisive issues by sanitizing a conversation of controversial content.

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Oakland Video Installation Engages National Anthem Protest Issue With Empathy

A video installation at the Oakland Museum of California is providing an interactive means for visitors to access the personal experiences and perspectives of black men on the issues of police brutality and other symptoms of racism in society. This is particularly timely, as the President of the United States and many other Americans appear to be having a difficult time engaging on an empathetic level with the National Anthem protests in the NFL and connecting them to the black experience.

This is a similar tactic to that used by many museums to confront racism in the last two decades. One is reminded of Allen and Littlefield’s work exhibiting postcards of 19th/20th-century lynchings for the purpose of shocking visitors into understanding the scope of racism in the United States and the degree to which it has been normalized. The Oakland Museum’s installation is certainly less provocative than that, but the concept is the same: allowing visitors to get insight into racism via visual media that they otherwise would have little access to.

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After 100 Years, Australian Soldier’s Remains Return Home From Museum

Recently, the Australian government discovered that the Mutter Museum in Philadelphia was displaying the skull of an Australian soldier killed in World War I. After an Australian Member of Parliament expressed concern about a countryman’s remains being displayed as a curiosity in a foreign museum on social media, the Mutter is returning the remains.

This was an amicable repatriation case, as these things go, and it is interesting primarily due to 1) the international nature of the dispute; 2) the use of social media as a vehicle to call for repatriation, and 3) the unique power dynamics involved (after all, the nation of Australia is not exactly the entity for which NAGPRA was designed). Something to ponder: what would have happened if the Mutter Museum resisted repatriating the soldier’s remains? Would this have then become a case akin to the looting of European artwork during WW2, only more intense due to the fact that we are dealing with human remains?

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